DIVINA PASTORA DE LAS ALMAS

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$ 1,540.00

En la mano izquierda, rosas, (sostendrá al niño) y la mano derecha sobre un cordero que acoge hacia su regazo. Algunas ovejas la rodeaban y todas, en sus boquillas llevaban rosas, simbólicas del Ave María. En la lontananza una oveja extraviada era perseguida por el lobo, pero pronunciado el Ave María, aparecía San Miguel con la flecha que hunde en la testuz del lobo maldito”.

Alto: 120cm – Ancho: 90cm

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Frequent questions

1. ARE THE WORKS OF ART AVAILABLE?
All the works published in the DavidChavezGaldos.com online store are Available.

2. DO YOU PERFORM WORKS ON REQUEST?
DavidChavezGaldos.com If you carry out works to order, prior coordination in theme and measure.

3. HOW LONG SHOULD I WAIT AFTER MAKING THE PAYMENT FOR MY WORK TO BE SHIPPED?
Confirmed the deposit via PayPal or interbank deposit, the works are sent within a period not exceeding 24 hours.

4. HOW CAN I KNOW WHERE MY WORK IS AFTER BEING SENT?
DavidChavezGaldos.com provides the customer with a tracking code, where you can track it through the website www.serpost.com and www.17track.net

5. ARE THERE PROBLEMS WITH CUSTOMS?
Our works are contemporary, therefore there is no export impediment, if the case warrants DavidChavezGaldos.com maintains a permanent contact.

Methods of Payment

DavidChavezGaldos.com has PayPal, interbank deposits and western union as payment methods and methods.

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SKU: E120-90-0154 Category:
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Tema: DIVINA PASTORA DE LAS ALMAS
Descripción: En la mano izquierda, rosas, (sostendrá al niño) y la mano derecha sobre un cordero que acoge hacia su regazo. Algunas ovejas la rodeaban y todas, en sus boquillas llevaban rosas, simbólicas del Ave María. En la lontananza una oveja extraviada era perseguida por el lobo, pero pronunciado el Ave María, aparecía San Miguel con la flecha que hunde en la testuz del lobo maldito”.
Medida: Alto: 120cm – Ancho: 90cm
Técnica pictórica: Técnica Mixta, óleo sobre lienzo, decorado en alto relieve, laminado en pan de bronce y oro, pintado con tintes vegetales rescatando la tradición andina en la pintura colonial contemporáneo.
Tela usada: Algodón
Material usado: Oleos, secante, aceite de linaza refinado, pinceles, trementina, betún de Judea, pigmentos de alta calidad, tintes vegetales, lamina de bronce y oro.
Acabado: Al natural y envejecido con color nogal, betún de Judea y oleos.

CUIDADO Y MANTENIMIENTO DEL CUADRO

  • No exponer el lienzo al sol directamente.
  • No colocar las manos directamente en el lienzo.
  • No exponer el lienzo al frio extremo.
  • No colocar el lienzo cercano a fuente de calor y/o humedad.
  • Limpiar periódicamente cuando se observe acumulación de suciedad inorgánica (polvo) con una franela de algodón SIN el uso de Kerosene, aguarrás, y/u otros diluyentes de pintura.
Dimensions 120 × 90 cm

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